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Chemeketa Community College
The Wednesday Evening Film Series
Winter 2012
Our Classic program
of eight sound-era movies begins January 4th with
Singin’ in the Rain. The program includes two
acclaimed musicals, three madcap comedies, two eco-science
fiction thrillers, and an action–adventure classic starring John
Wayne. Program notes offering commentary and relevant film
history are provided at the Classic screenings.
Our Silent program of
five presentations–– celebrating the visual storytelling art of
pioneering directors and stars––begins January 11th
with Harold Lloyd’s 1924 comedy, Girl Shy. The
films are digitally restored from archival prints and presented
with live accompaniment by Rick Parks at the “Mighty Wurlitzer
Organ.”
Tickets are $5 each and can
be purchased at the Historic Elsinore Theatre, at
www.elsinoretheatre.com and at all Tickets West locations.
Phone 503.375.3574 for information. Box office and doors open
at 6:00 pm, movies start at 7:00 pm.
February 1
7:00 pm West Side Story
(Robert Wise, USA, 1961)
When Maria (Natalie Wood)
and Tony (Richard Beymer) meet at a dance, their blossoming
young love is threatened by neighborhood rivalry, gang conflict,
and racism in this unforgettable musical. Set in New York’s
side streets and alleys, and filmed in Technicolor and
widescreen, West Side Story won ten Academy
Awards, including Best Picture. Based on the acclaimed
Broadway production, with Leonard Bernstein’s powerful symphonic
score, Stephen Sondheim’s heartfelt lyrics, and Jerome Robbins’
groundbreaking choreography. With Russ Tamblyn, Rita Moreno,
George Chakiris. Color. 151 minutes.
“Vivid film adaptation of
the landmark Broadway musical updating
Romeo and Juliet to late-1950s N.Y.C.”
––Leonard Maltin
February 8
7:00 pm Harvey
(Henry Koster, USA, 1950)
When Elwood P. Dowd’s close
friendship with his drinking-buddy, Harvey––an imaginary 6’
rabbit––becomes too burdensome for his sister (Josephine Hull),
she seeks to have Elwood (James Stewart) committed. This
charming, amusing, and disarmingly intelligent film is based on
the Pulitzer Prize-winning Broadway play that ponders the
meanness of civil discourse, the loss of manners, and our
impatience with eccentricity. 104 minutes.
“ Stewart gives one of
his best performances. Hull won an Oscar as the distraught
sister.” ––Leonard Maltin
“An amiably batty play
with splendid lines is transferred visually to the screen and
survives superbly….” ––Halliwell’s
Film Guide
February 15
*SILENT*
7:00 pm Steamboat Bill, Jr. (Buster
Keaton, USA, 1927)
Effete college-boy Willie
Canfield (Buster Keaton) comes home to a sleepy Mississippi
River town, where he finds his estranged roughneck father, a
sternwheeler captain, engaged in a riverboat rivalry. Willie
tries to fit in, but then falls for the daughter of the rival
captain. Keaton’s fearless agility as a comic
athlete––performing all the amazing stunts himself–– is
demonstrated when a cyclone rips through town. As in The
General, Keaton’s hero discovers his capabilities
through conflict and action. One of Keaton’s best films.
Pristine archival print. 70 minutes.
“A marvelous comedy….
Hilarious, of course, with both delicately observed jokes and
energetically athletic stuntwork coursing through the movie.
But what really delights is the detailed description of small
town life…” Time Out
February 22
7:00 pm The Birds
(Alfred Hitchcock, USA, 1963)
After his horror classic,
Psycho, the Master of Suspense turned to eco-science
fiction, crafting this celebrated thriller about nature abused
and out of control. When Melanie Daniels (Tippi Hedren) travels
to remote Bodega Bay on the California coast, she encounters
swarms of seriously angry birds and experiences nature’s
humbling power. Based on a story by Daphne du Maurier. With
Rod Taylor, Jessica Tandy, Suzanne Pleshette, and a cast of
thousands, mostly feathered. Restored Technicolor, high
definition, and widescreen. Rated PG-13. 119 minutes.
“Hitchcock’s classic…[is]
a delight for those who are game. Hold onto something and
watch.” ––Leonard Maltin
“It’s fierce and Freudian
and great cinematic fun,… this is Hitchcock at his best.”
––Time Out
“A curiously absorbing
work, which begins as light comedy and ends as apocalyptic
allegory.” ––Halliwell’s Film Guide
February 29
*SILENT*
7:00 pm The Mark of Zorro (Fred Niblo, USA,
1920)
Douglas Fairbanks stars as
the passive nobleman Don Diego Vega in old California, who turns
against his own class to secretly become the masked champion of
the people––Zorro. Dressed in black, Zorro appears seemingly
out of nowhere, and leaves the mark of his flashing sword as a
scar in the faces of oppressors. An action–adventure classic.
With Marguerite De La Motte. Color tinted. 100 minutes.
“Perhaps Doug’s best
film––his first swashbuckler. Nonstop fun.”
––Leonard Maltin
March
7
7:00 pm Hatari!
(Howard Hawks, USA, 1962)
In an African wildlife
preserve, Sean Mercer (John Wayne) and his group of professional
adventurers capture animals for zoos. The group’s dangerous
work is vividly filmed on location, with actors doing many of
the stunts. Director Hawks (Bringing Up Baby,
Rio Bravo) enlivens the camaraderie back at camp with
humor, baby elephants, and romantic conflict when an assertive
female photographer (beautiful Elsa Martinelli) moves in. A
warm, relaxed adventure tale, accompanied by a justly famous,
innovative Henry Mancini score. Technicolor and widescreen.
159 minutes.
“Marvelous lighthearted
action film of wild-animal trappers in Africa, with just-right
mixture of adventure and comedy. Wayne is at his best… Filmed
in Tanganyika.” ––Leonard Maltin
“Light, sunny, and
effortlessly switching between action and comedy… Superb
footage of the actual capture of the wildlife, in which the
danger and the excitement of the chase are beautifully,
precisely evoked. …One of those rare films that genuinely
constitute a ‘late masterpiece.’ ”
––Time Out
March
14
7:00 pm The Road to Rio
(Norman Z. Mcleod, USA, 1947, 100 m)
The Road to Rio
is one of the best of the Bob Hope–Bing Crosby “Road” movies
(inspiration for several Woody Allen films, numerous stand-up
comics, and Ghostbusters). The wisecracking duo,
“Hot Lips” Barton (Hope) and “Scat” Sweeney (Crosby), are
musicians who escape a carnival owner’s wrath by stowing away on
board a luxury liner en route to Brazil. A glamorous heiress
(Dorothy Lamour), manipulated by a hypnotist, catches their
roving eyes. With Gale Sondergaard and the Andrews Sisters.
100 minutes.
“Very funny outing in the
series.” ––Leonard Maltin
“Top notch entry; fifth
in the Road series.” ––Videohound
March
21
7:00 pm Children of Men (Alfonso Cuarón,
USA/UK, 2006)
Our second eco-science
fiction movie is a fantastic British thrill-ride that opens in
London in the year 2027, with nature out of balance and the
world in crisis. Women have become mysteriously infertile, and
no children have been born for years. Society is breaking down,
terrorist acts and government oppression are spreading, and
immigration is prohibited. Theo (Clive Owen) just wants to buy
a cup of coffee when explosive events trigger his journey into
the underground, where a resistance movement––and perhaps
hope––exists. Spectacular action, filmed in long takes
that keep it real and put you smack in the middle of it.
From the novel by mystery writer P.D. James. With Julianne
Moore, Michael Caine. Color and widescreen. Rated R. 109
minutes.
“Riveting look at the
year 2027. Visceral action and chase scenes (incredibly shot by
Emmanuel Lubezki) give us a real sense of being hunted, as Owen
becomes an Everyman on the run.”
––Leonard Maltin
“This is as real and
provocative as the future gets on screen.”
––Time Out
March 28
*SILENT*
7:00 pm Little Lord Fauntleroy (Alfred
Green, Jack Pickford, USA, 1921)
In the city slums of 1880s
New York, young Cedric lives with his mother (Mary Pickford
playing both roles, in seamless double exposure shots). When
Cedric learns he is an heir to a British fortune, mother and son
travel to England to defend his claim, confronting the British
aristocracy. Based on the novel by Frances Hodgson Burnett.
Cinematography by Charles Rosher (Sunrise),
beautifully restored with original color tinting from the Mary
Pickford Foundation 35mm archives. 112 minutes.
*SILENT*
denotes silent film with live organ
accompaniment
The Film Studies Program at
Chemeketa Community College offers courses in film
appreciation. See the College Catalog, the quarterly Schedule
of Classes, or contact Steve Slemenda at 503.399.6237 for
further information.
Historic Elsinore Theatre
170 High St SE, Salem OR 97301 503.375.3574
All films at the Historic
Elsinore Theatre. Box office and doors open at 6 pm, movies
begin at 7 pm.
Films subject to change.
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